Those that complain about MC overpopulation and co-opting of urban culture should consider this:
It’s a user-friendly medium
A paint-by-number
Discount madlibs
You just insert buzz words
Call that shit “adlib”
Now you have a story with so many holes
it sounds like a Wu Tang radio edit,
but you have a pocket that’s full of gold,
so you will not regret it, but people WILL forget it
your tattered Swiss cheese pile of repetition
“roll for dolo,” “chickenheads,” and “word is bond”
“my third eye,” “my niggaz,” and “you know my steez”
and my personal favorite, “you faggot MCs”

It’s great to see such a glaring example of bigotry be so ruthlessly overused in an art form founded by a race so plagued by racial slurs that it had to employ them in order to diffuse them.
It’s great to see African Americans giving homosexuals, a people who are suffering similar prejudices and blind hate the same opportunity to assimilate its own branding terms.
I especially like the part where you joke about that whole “respect for women” crap. I would’ve thought you were serious if I didn’t hear you referring to wack MCs as being “feminine” or “vaginal” and holding stupid girl jobs like “actresses or nurses. ” I agree whole-heartedly! – girls are cool to dance and have sex with, but get them away from that M I C puhleeeeeeeeze.

It’s not a coincidence that “hip hop” and “pop” are only separated by a few letters. Both of them are boring, self-affirming un-progress
Square tires in cement mud
Sound tracks for cemeteries
Form without art
Public address without message
A gathering of great mimes.